BBC - Opening the wounds of history: Anselm Kiefer’s war.
Anselm Kiefer critically engages with myth and memory, referencing totems of German culture and collective history. “Germans want to forget (the past) and start a new thing all the time, but only by going into the past can you go into the future,” he says.
Anselm Kiefer (born 8 March 1945) is a German painter and sculptor. He studied with Peter Dreher and Horst Antes end of the 1960s. His works incorporate materials such as straw, ash, clay, lead, and shellac.The poems of Paul Celan have played a role in developing Kiefer's themes of German history and the horror of the Holocaust, as have the spiritual concepts of Kabbalah.
Anselm Kiefer critically engages with myth and memory, referencing totems of German culture and collective history. “Germans want to forget (the past) and start a new thing all the time, but only by going into the past can you go into the future,” he says. Revealing the influence of his tutelage under Joseph Beuys, Kiefer's epic-scaled.
Anselm Kiefer’s work is so well known, and has been so extensively written about and exhibited, one wondered what “Anselm Kiefer: Heaven and Earth,” a traveling survey recently at the Modern Art Museum of Fort Worth, could possibly add to the dialogue. The answer: both not much and a whole lot. Positing the artist’s inquiry into spirituality—a Sisyphean search for heaven in.
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Things are always falling off Anselm Kiefer’s work. Straw, sunflower seeds, chunks of concrete, you name it. Curators at the museums to which he sends his work have fastidiously collected the fallen debris and returned it to him, presumably in the expectation that he might want to repair the damage. But Kiefer, whose work is the subject of a large-scale retrospective at the Royal Academy of.
Anselm Kiefer was born in 1945, just months before the end of the Second World War, in Donaueschingen, a small village in the Black Forest in the south of Germany. The town was occupied by the French and littered with the remains of destroyed buildings that left an indelible mark on his imagination. “As a child,” Kiefer recalls, “I had no toys; our house was bombed.” The family was.
Anselm Kiefer’s painting, Palette 1981, depicts a traditional artist’s palette suspended between two strands of burning rope. Seven flames are depicted on each strand, spaced at regular intervals along the rope’s length. The palette lies at the very centre of the composition, while the ropes span the width of the canvas. The palette and ropes are painted in black, while each of the.
Having achieved fame and notoriety in equal measure in the 1980s, Anselm Kiefer has become one of the world's most singular and successful artists. Working with themes of history, memory and mythology, Kiefer produces work that is consistently controversial and monumental in its scale and ambition.
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Anselm Kiefer is a German artist who has explored his country’s postwar identity, history, and mythology throughout his career. View Anselm Kiefer’s 895 artworks on artnet. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. See available paintings, works on paper, and photographs for sale and learn about the artist.
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The most thorough discussion of Kiefer to be found in English was the exhibition catalogue Anselm Kiefer by Mark Rosenthal (1987). Specific works are featured in A Book by Anselm Kiefer, introduction by Theodore E. Stebbins, Jr., and Susan Cragg Ricci (1988) and in Armin Zweite, Anselm Kiefer: The High Priestess (1989).
